A more overt example of the robotic agenda lies in the digital manipulation of musicians’ voices, which are altered to sound robotic or metallic. It involves the externalization onto the masses the goal of trans-humanism, a Kabbalistic alchemical process that purports to elevate man to the status of divinity through the advancement of technology and the integration of man with technology.Ī lot of robotic-transhumanistic symbolism and motifs in Hollywood and the music industry today, from Madonna and Beyonce to Queen, Lil Wayne, and Daft Punk, are rehashed elements from Fritz Lang’s 1927 technocratic dystopian film Metropolis. Virtually every sound from Daft Punk’s music is digitally enhanced.Ī specific aspect of the agenda of the Hollywood Kabbalah cult is the robotic agenda, many examples of which I will link to following this short article (see below: The Industry Exposed). It is titled: Random Access Memories, an allusion to the integration of man and machine. The duo is set to release their latest album in May. Daft Punk, as part of the burgeoning house (techno) music genre, epitomize Hollywood’s robotic agenda in music and motion pictures. Electronic duo Daft Punk, comprised of French musicians Guy-Manuel de Homem-Christo and Thomas Bangalter, in multiple depictions sporting kabbalistic symbols, including the baphomet and ascendant triangle.
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